Sunday, March 24, 2019

You end up where you begin...


“You think you escape the force of the universe? You do not.
Life is a circle; you will return from whence you came…”
– Anonymous

The little boy was six-years-old and lived on the corner of North Street and Chardon Road. North Street ended at Chardon forming a ‘T.’ Across from the youngster’s faded yellow two-story house was the school. It was a long, oblong brown brick structure that housed grade levels from elementary through junior high.

Behind that school was a playground with swings, Jungle Jim, wooden teeter-totters, open free-play area and a quarter-mile circular track. One morning during recess, the boy asked his teacher if he could run around that track. To him, it seemed huge – exotic, really. Many times before he dared to ask Ms. Johnson for permission to take this (to him) adventure, he wondered whether he could even get around it. She agreed, saying she would keep watch. She watched; he ran. He didn’t know why, but when done it felt kind of mystical. He never told anyone. To him, it was a secret between him and his teacher.

Unbeknownst to him, as the cinders crunched beneath his tiny feet and the fresh spring air brushed against his cheeks, ovals like this would occupy significant parts of his life. When those days came, each time he stepped onto a track, the little boy whispered…remember the magic.

A different day…
The skies were clear and crystalline blue. It was mid-morning when I arrived at the track. There was a slight nip in the air, and higher than usual humidity due to recent heavy rains in Tucson. It could not have been a better day for a track meet.  It would be exciting for the participants because it was a day when both high school and colleges were competing.

Had it not been for Richard, I would not have shown up.

The high school events began a little before ten. The college teams competed in the afternoon. It was great fun to watch young girls and boys run, throw and jump. Proud parents and friends sat in the stands shouting encouragement to the youngsters.  What made this meet more exciting for the high schoolers were the collegiate teams at this sanctioned PAC 12 Conference meet. It would be the most significant event of their season, maybe of their lives. These kids would go home telling stories of having been at the same event with high caliber athletes from UCLA, BYU, Arizona other well-known schools.  For them? Nirvana – trust me.

It began in a classroom…
I taught physiology in the fall last year after many years in the private sector. It was a trying experience. In the early going, it was all I could do to show up and get through the two back to back classes twice a week. Tuesday and Thursday evenings, my seventy-one-year-old feet felt like they were one-hundred — and yes, I will take a little cheese with that whine!

Connecting with students has always been a priority for me. I suppose it’s the influence of my mother, the friendliest and most curious person I ever knew.  She could practically engage a telephone pole in conversation. Before she was through, she would know the forest from which it came, how long it had lived before being harvested, and whether it enjoyed supporting electric wires. "Show an interest in someone, call them by their name" she would say. "And God will bless you both. Names are powerful symbols of recognition and respect.”

Richard shared a four-table in the center of my classroom. A tall, gangly and quiet kid, he was almost bashful.  But there was a crisp clarity to his eye, and he was an excellent student. His official name was Andrew, but he wanted to be called Richard, and so it was.

During the semester, I learned he was on the Pima Community College track team – a triple jumper. I had also been a collegiate sprinter, a long and triple jumper. I wouldn’t have to work very hard to find talking points with him.

Time, gravity, work, distractions…
This was the first track meet I had attended since competing and hanging up my track shoes decades earlier. In a millisecond, though, walking through the gate, my breathing unconsciously increased and my heart beat a little faster. It’s funny how that works. I was instantly transported to a world so familiar, so intimate, there are not sufficient words to express the sensations.

Track meets are unlike any other athletic event. There are distance runners, sprinters and hurdlers; Javelin/discus throwers and shot putters; long, triple and high jumpers with many events taking place simultaneously.  This day, there were probably a couple of hundred competitors needing to be in the right place at the right time to participate in the event for which they had trained. Running a successful track meet with so many moving parts, is like an orchestral conductor or air traffic controller. When things work right, it is a marvel to see. When they don’t? Everybody knows it!

What makes big outdoor track meets special, is the carnival atmosphere that permeates everyone.  Parents and friends filled with excitement wait for their son or daughter to compete. Unlike basketball or football games where crowds roar at special plays, track meets, due to simultaneous activities, are filled with non-stop undercurrents of cheering.

I found Richard and chatted briefly – just enough for him to see I had come and to wish him good luck. This meet was a big deal because as a junior college athlete, he didn't get the opportunity to compete against the kind of talent showcased on this day. He didn’t need to be distracted by me. In the end, it was a hard day.

Maybe it was the level of competition, maybe his nerves but he had three unsuccessful triple jumps and didn’t qualify to move on. Catching up with him after the event, I commiserated and thanked him for inviting me to come. I told him the day had brought back many memories. I knew he was hurting, but he was stoic and returned the thanks.

Getting in the car, I closed my eyes for a few moments to reflect on the day and the memories it had brought. In those quiet moments, I could almost feel the cinders crunching under my feet for the first time. I remembered the years that I ran and jumped and laughed and cried. Richard had given me the invitation for this day, but as I started the engine, I whispered, “Thanks, Ms. Johnson.”

– ted

Sunday, March 17, 2019

The peacemakers will be blessed...


 "So God created man in his own image; in the image of God 
created he him; male and female created he them."
Genesis 1:27

Some of the 50 who were lost...




- ted





Sunday, March 10, 2019

Playing around...

“There are no small parts, only small actors.”
Konstantin Stanislavski – Russian director
Teacher of the Stanislavski Method

The call from Judi came out of the blue. She is the director for an upcoming musical production of The Fantastiks. Auditions for the show had just finished the previous week. I sit on the theatre company board and thought she needed something taken care of. I was in for a surprise.

Last year, I was in the production of Our Town. It was the second play I had done in my life (separated by four decades), it was both exciting and terrifying.

The show went well, and with a wipe of the brow, I completed a life experience that frankly had not been on my bucket list. In the end, it was great fun and memorable.

“Ted,” Judi said. “The auditions for the Fantastiks were good. We cast everyone, but the character of Henry Albertson. Would you consider auditioning?"

"Wait," I replied. "The Fantastiks is a musical, and I am not a singer."

"It's not a singing part," she replied. Not missing a beat, she continued, "I can give you a video of the show, and you can get the script from Marty.”

A little background…
The Fantastiks is the longest-running musical in American history. The first production took place in the Sullivan Street Playhouse in 1960, where it played for forty-two years. It was it was quickly revived at the Jerry Orbach Theater and is still running (it will finally close in June of 2019). Actors such as Elliot Gould, Kristen Chenoweth, Glen Close, Jerry Orbach, and Liza Minnelli have played principal characters.

Before going to Vietnam, I lived for a few months in the West Village of Manhattan, just south of Houston Street on Sullivan. It was the summer of 1968, and I shared a one-room efficiency apartment in a second-floor walk-up with a Salvation Army Captain.

The ‘Army' had a coffee house called ‘The Answer’ on MacDougal street acting as a shelter for runaway kids. Lots of them coming to ‘Gotham’ discovered it was not what they imagined and just wanted to go home. For the lucky ones that were found, ‘The Answer’ acted as a conduit to get them back to their families. While I never saw the show, I walked by the Sullivan Street Playhouse every day.

Continuing...
Surprised and feeling a little trepidation, I said, "I guess I could do that. Are you sure you want me to audition? I guess I can take a look at the script."

"Great," she replied. "I'll leave a copy of the DVD in my mailbox. Why don't you come by the house at 2:30 tomorrow and we'll do a read.”

With that, she was off the phone, and my head was spinning. What had just happened? I picked up the video and script and headed home to watch the show and to see what Henry Albertson was all about. The only thing I knew was that Henry did not sing. 

I soon discovered that Monsieur Albertson was a geriatric, long over the hill, Shakespearean actor, trying desperately to find any work he could. With his trusty acting partner of forty-years, Mortimer, he becomes part of a phony kidnapping scheme intended to give the young male lead the opportunity to save his darling damsel in distress.

Albertson and Mortimer are buffoons – comic relief in the show. Two more clumsy and ill-prepared characters could not have been engaged for this charade. The kidnapping is orchestrated by a knave named El Gallo, hired by the boy and girl's parents to fake the kidnapping. Mortimer's claim to fame is his ability to die in theatrical productions, which he does in the course of the play. As Albertson says to him, “Remember Mortimer, there are no small actors, only small parts.”

With this backdrop and some hesitance, I rang Judi’s doorbell the next day. 

After some small talk and a glass of water, she said. "Well, let's do it. Do you want to stand or sit?"

“Stand,” I replied.

Trying to imitate the character from the video, I hopped around the living room and collapsed to the floor as I read. It seemed like it was over before it started. Getting up, I sat on the couch. "Perfect," she exclaimed. "Just perfect! You've got the part."

Wait! What just happened?  “Are you sure you want me to do this?” I said.

“Yes, I am,” she replied. “This is exactly what I was hoping for.”

“This character is supposed to be funny, a buffoon," I protested. "And I'm really not funny."

“Of course, it will take some effort, but trust me, I'll work with you, and you'll be great. Now, I have some things to do. You will need a Libretto (the script with music). First read through is Sunday evening at 6:30. See you there.”

That was it. I was out the door and on my way. "Perfect…" for the part of a buffoon? Hmmmm… Clearly, she knew something I didn't!

Another adventure…
This week I had the opportunity to sit in on the first music rehearsal for the show. The singers were amazing. All of them had long histories in musical theater – strong, crystal clear voices. They were energetic and excited to be a part of the production.

The great news is that I am going to have the opportunity to see how a musical is built from the ground up. There will be a lot to learn beyond my character.

Even though I only have a couple of dozen lines in two scenes, I have been keeping in mind Henry Albertson’s comment to Mortimer, “There are no small actors, only small parts.”

In truth, there are no "small parts..."


- ted